lundi 22 août 2011

Dipdiri - Not going anywhere

Istanbul Bogazi'ndan dogru esen ruzgar saclarimi ucuruyor. Yerdeki sari, turuncu sonbahar yapraklarindan gelen doga kokusunun, simdiye dek algiladigim en guzel koku oldugunu duyuyorum. Yaprak kokularinda biraz o da var. Dipdiri.

Tezer Ozlu 
Cocuklugun Soguk Geceleri 




Nagoya 2008



This is why I always wonder
I'm a pond full of regrets
I always try to not remember rather than forget

This is why I always whisper
When vagabonds are passing by
I tend to keep myself away from their goodbyes

Tide will rise and fall along the bay
and I'm not going anywhere
I'm not going anywhere
People come and go and walk away
but I'm not going anywhere
I'm not going anywhere

This is why I always whisper
I'm a river with a spell
I like to hear but not to listen,
I like to say but not to tell

This is why I always wonder
There's nothing new under the sun
I won't go anywhere so give my love to everyone

Tide will rise and fall along the bay
and I'm not going anywhere
I'm not going anywhere
People come and go and walk away
but I'm not going anywhere
I'm not going anywhere
 Karen Ann Zeidel

samedi 20 août 2011

De quoi faire un mur




...


On tisserait à soi
l'enseveli

pourquoi je me découvre
l'aura qui fait l'indifférence
la charpente en si beau bois qui dure 
aussi penchée

De quoi faire un mur 
l'enveloppe sur moi si je bouge
je serai happée nous pourrons
car je bouge à la tentation
je suis tentée

le regard du bout le papier du bord fut happé
or nous ne pouvons ci-devant séjourner

disons que de manière
à attester sa face étroite
de sorte qu'elle soit en profondeur
que le bâti fasse accroire
la fente le petit chemin
d'un mur la pose en chant
révélée à l'appareilleur 


Anne Portugal
De quoi faire un mur (1981)



( Lilly Wood &The Prick )

Comme on s'adapte à des saisons




Juliette Binoche : Ce ne sont que des explorations, des transformations possibles, des adaptations à des situations comme on s'adapte à des saisons... 

Le journaliste : Vous avez des sentiments de prendre des risques quand-même ? 




Var olanin agir agir yoklugu


Juliette Binoche & Akram Khan

Kirli Agustos 

O da var olanin agir agir yoklugu
Surda bir gunduz kimildamakta
Dagilmanin beyaz organi : tuz birikintileri
Gibi bir gunduz 
Kalin kabuklarini kaldirir doga.

Duser bir balikcinin tersi olan sey
Kirli agustos ! beni ordan oraya goturen esya
Aklimda uc bes otel ya kalir 
Ya kalmaz uc bes otel aklimda
O da degil bir otelin kendisi 
Yalnizligin kahverengi organi: dus birikintisi
Bir de kahverengi alevlerden yapilma. 

Baska degil, yoklugu gormek icin
Kirli agustos ! gozkapaklarimi da yaktim sonunda. 


Edip Cansever 
Kirli Agustos (1970)




vendredi 19 août 2011

Je devais rentrer



Egon Schiele
"Etreinte "
1917
Huile sur toile
100 x170,2 cm
© Osterreichische Galerie im Belvedere
Vienne


Puis il me prit dans ses bras, mais il était trop tard, je devais rentrer. La difficulté que j'eus à me séparer de lui m'étonna. S'il avait cherché des liens pour me retenir, il les avait trouvés. Mon corps le reconnaissait, se retrouvait lui-même, s'épanouissait contre le sien. Je l'embrassai passionnément, je voulais lui faire mal, le marquer pour qu'il ne m'oublie pas un instant de la soirée, qu'il rêve de moi, la nuit. Car la nuit serait interminable sans lui, sans lui contre moi, sans son habileté, sans sa fureur subite et ses longues caresses. 

Françoise Sagan 
Bonjour Tristesse 





jeudi 18 août 2011

You see her dancing



She is a dancer 
Not because she looks it 
Or performs it so she must be 

She is dancer
Not because she stands up 
Moves
making the crowds applaud

She is a dancer
Not because she hears music and moves
Landing on rhythms that wear out her shoes 

She is dancer
not because anyone told her so
And she believed it
So in her mind she is it 

She is a dancer
Not because she knows the names of the moves 
And will teach you how to pronounce them 

She is dancer 
Only because she dances 

She is a dancer 
so when you see her
You see her dancing. 

A dancer with no music
Knows their music

A dancer with no stage 
Is always on stage 

A dancer with no audience 
Is their audience 


Malik Ameer Crumpler 
Amber Hymns : poems, prayers, raps
((((3))))










mercredi 17 août 2011

I look at their souls, their dreams and...



My name is Axel Blackmar, and I work for the Department of Fish and Game. Most people think I count fish, but I don't. I look at their souls, their dreams and then I let them into my dreams. People think fish are stupid, but they aren't. They know when to be quiet, It's people that are stupid. Fish know everything, and don't need to think. See, fish start out in small streams, then I prepare them for the ocean. When they're ready to die, they return to where they came from. That's my connection, that's why I swam away to the city. Okay, here's my job: All I do is temporarily electrocute the fish, then with deep respect, I scoop 'em and haul 'em in, one by one... Sometimes I'll look into fish eyes and I'll see my whole life. It's something only fish can show us, and I love 'em for it.I tag the fish, measure 'em and weigh 'em, make sure they're doing okay.If they want to talk, I always listen. That's the job of a Fish God. I've never caught a fish in a lie, and I've never seen a fish swim in the shit that human people do. That's why I love my work, and I love New York.




David Atkins and Emir Kusturica 
Arizona Dream


 
 
Clik here to see the first encounter between Axel and Grace